Nonetheless, fans will delight and pass the tissue, as the aviator-goggle–wearing panda pleases with most of his sneezes.
Gaiman and Rex return with Chu’s third picture book, sending the sneeze-happy panda cub to visit the surf and sand.
Big things happen when little Chu sneezes—especially at the beach. When Chu and his family first arrive, all is peachy. Chu’s mother sits and reads, while Chu’s father wades in the water. A bespectacled octopus offers Chu a refreshing ice cream cone to beat the heat. Soon Chu, decked out in a striped, retro-style full-body swimsuit, takes off his sunglasses. In the sunlight, his nose starts to tickle, a tickling that “fill[s] his whole head.” Fans of the Chu books will know what comes next and will sneeze right along with him. With the big deed done, the unthinkable happens. The sea is split, the waves stopping Exodus-like, and it’s up to Chu to sneeze again so he can save the stuck sea animals. Alas, sneezing on cue isn’t so easy. Rex’s comical and lively illustrations are enchanting gems. These include a family of merpandas, a gopher carrying his surfboard and chill amphibians sunning themselves. Chu’s charm and silliness abound throughout this sneezefest. However, his final ah-choo doesn’t provide the kind of satisfaction a just-expelled sneeze can give. That’s because Chu doesn’t come up with the solution himself.
Nonetheless, fans will delight and pass the tissue, as the aviator-goggle–wearing panda pleases with most of his sneezes. (Picture book. 4-8)Pub Date: April 21, 2015
ISBN: 978-0-06-222399-9
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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