edited by Neil Philip ‧ RELEASE DATE: Aug. 21, 2000
Native American voices spanning a hundred years present a collective sense of childhood and a scope of individual experience. Similar in format to Philip’s Earth Always Endures: Native American Poems (1996) and In a Sacred Manner I Live: Native American Wisdom (1997), this collection speaks more closely to a young audience in its subject matter. From the words of Charles A. Eastman and Sarah Winnemuca to the more contemporary voices of Louis Two Ravens Irwin and James Sewid, the narratives describe aspects of childhood life in many tribes. Subjects range from playing house and playing war to having hair cut at a boarding school and being buried alive in order to hide from white men. Like the previous collections, this is illustrated with archival photographs, printed in duotone, that are evocative, but overly romantic in tone. The fact that the experiences were recorded, in word or picture, almost entirely in the late-19th and early-20th centuries gives an overall sense of distance and of “The-Indian-of-the-Past” to this collection, although readers may find the narratives themselves immediate. Philip gives both English and actual names of people and tribes after each selection, as well as sources for all pictures and texts at the end of the volume. A bibliography of further reading and indexes of speakers, writers, and Indian nations enhance the collection. Wonderful words in a museum-quality package, readers may find their way slowly to this book, but they should find the trip worthwhile. (introduction, indexes, further reading, source notes) (Nonfiction. 10+)
Pub Date: Aug. 21, 2000
ISBN: 0-395-64528-X
Page Count: 80
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by Tracy Kidder ‧ RELEASE DATE: Sept. 16, 2003
Skilled and graceful exploration of the soul of an astonishing human being.
Full-immersion journalist Kidder (Home Town, 1999, etc.) tries valiantly to keep up with a front-line, muddy-and-bloody general in the war against infectious disease in Haiti and elsewhere.
The author occasionally confesses to weariness in this gripping account—and why not? Paul Farmer, who has an M.D. and a Ph.D. from Harvard, appears to be almost preternaturally intelligent, productive, energetic, and devoted to his causes. So trotting alongside him up Haitian hills, through international airports and Siberian prisons and Cuban clinics, may be beyond the capacity of a mere mortal. Kidder begins with a swift account of his first meeting with Farmer in Haiti while working on a story about American soldiers, then describes his initial visit to the doctor’s clinic, where the journalist felt he’d “encountered a miracle.” Employing guile, grit, grins, and gifts from generous donors (especially Boston contractor Tom White), Farmer has created an oasis in Haiti where TB and AIDS meet their Waterloos. The doctor has an astonishing rapport with his patients and often travels by foot for hours over difficult terrain to treat them in their dwellings (“houses” would be far too grand a word). Kidder pauses to fill in Farmer’s amazing biography: his childhood in an eccentric family sounds like something from The Mosquito Coast; a love affair with Roald Dahl’s daughter ended amicably; his marriage to a Haitian anthropologist produced a daughter whom he sees infrequently thanks to his frenetic schedule. While studying at Duke and Harvard, Kidder writes, Farmer became obsessed with public health issues; even before he’d finished his degrees he was spending much of his time in Haiti establishing the clinic that would give him both immense personal satisfaction and unsurpassed credibility in the medical worlds he hopes to influence.
Skilled and graceful exploration of the soul of an astonishing human being.Pub Date: Sept. 16, 2003
ISBN: 0-375-50616-0
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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by Kurt Chandler ‧ RELEASE DATE: Sept. 1, 1995
The textured perspective that emerges in candid and quirky interviews with gay, lesbian, and bisexual youth is marred by a reductive approach to sexuality. Journalist Chandler follows six teenagers over a few years, through crucial points in their coming-out processes. (The book grew out of a series of articles he wrote for the Minneapolis Star- Tribune.) Attempting to give a broad overview of the sexual- minority youth experience, Chandler devotes some chapters to the young people's (and, in some cases, their parents') personal stories and some to broad generalities about homosexuality and young people. The teens' narratives are often powerful; though there is a good share of coming-out clichÇs (``I always felt different,'' ``She was always such a tomboy,'' etc.), the author also includes the kinds of particularities that bring such stories to life. One girl, for instance, takes her mother to a gay nightclub so she can see what it's like; in another celebratory family moment, a father delights his daughter and her friends by joining them in a raucous lesbian-sex joke-telling session. Chandler, who is heterosexual, negotiates the diversity of queer youth culture more open-mindedly than most mainstream journalists, neither avoiding nor reviling drag queens, tattooed girls, and shirtless young women at pride marches. Unfortunately, the Homosexuality 101 sections are simplistic; in a chapter called ``The Roots of Homosexuality,'' Chandler reassures his readers ad nauseam that gay people do not ``choose'' to be gay and that an individual's essential sexual identity is fixed and unchangeable. Chandler's approach to homosexuality has the effect of unnecessarily distancing these kids from readers, who he seems to assume are straight and have never questioned their heterosexuality. The personal narratives here are compelling, but unfortunately, Chandler seems determined not to let his readers identify with his subjects. (Author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-8129-2380-4
Page Count: 384
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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