adapted by Neil Philip & illustrated by Isabelle Brent ‧ RELEASE DATE: Aug. 17, 2001
Illustrated with Brent’s (Celtic Fairytales, not reviewed, etc.) glorious, gold-drenched watercolors, Philip weaves a number of Romanian pourquoi tales into the biblical story of Noah and the ark. Gathering the animals two by two, Noah sees his wife hesitating. Indeed, she won’t come on board until the water is up to her waist and Noah says angrily, “Oh, you devil, come in!” At that, the devil comes on to the ark in the form of a mouse. The mouse chews through a plank and water begins to leak into the ark, but Noah throws a fur glove at it, which turns into a cat that catches the mouse, and Noah throws them both overboard. The devil-as-mouse escapes and the cat comes back on board to dry itself in the warmest, sunniest spot, a habit that continues to this day. The origin of the flea is also neatly explained. Brent’s resplendent ark is in the shape of a red and gold dove. It carries a storied house on its back with arched doors and windows and a patterned tile roof. The pages, bordered in jewel-toned folk-art patterns, hold pictures of voluptuous beauty, from naturalistic animal portraits to a sea resembling silk ribbon shot with luminous fish. Indeed, it is the shimmering art that transforms what is a somewhat less successful text into a worthy addition to the folklore shelves. (author’s source note) (Folktale/picture book. 5-8)
Pub Date: Aug. 17, 2001
ISBN: 0-618-11754-7
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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edited by Neil Philip & illustrated by Claire Henley
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by Lee Wind ; illustrated by Paul O. Zelinksy ‧ RELEASE DATE: Oct. 19, 2021
The true meaning of the holiday season shines here.
Kids teach a valuable lesson about community spirit.
A city block is ablaze with red and green lights for Christmas; one house glows blue and white for Hanukkah. This is where Isaac, a Jewish boy, lives, across the street from best friend Teresa, excitedly preparing for Christmas. They love lighting up their homes in holiday colors. After an antisemitic bigot smashes a window in Isaac’s house, Isaac relights the menorah the next night, knowing if his family doesn’t, it means hiding their Jewishness, which doesn’t “feel right.” Artistic Teresa supports Isaac by drawing a menorah, inscribed to her friend, and placing the picture in her window. What occurs subsequently is a remarkable demonstration of community solidarity for Isaac and his family from everyone, including the media. Galvanized into defiant action against hate, thousands of townspeople display menorahs in windows in residences and public buildings. This quiet, uplifting tale is inspired by an incident that occurred in Billings, Montana, in 1993. Readers will feel heartened at children’s power to influence others to stand up for justice and defeat vile prejudice. The colorful illustrations, rendered digitally with brushes of the artist’s devising, resemble scratch art. Isaac and Teresa are White, and there is some racial diversity among the townspeople; one child is depicted in a wheelchair. An author’s note provides information about the actual event.
The true meaning of the holiday season shines here. (Picture book. 5-8)Pub Date: Oct. 19, 2021
ISBN: 978-1-64614-087-9
Page Count: 32
Publisher: Levine Querido
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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PERSPECTIVES
by Katherine Davis & Henry Onorati & Harry Simeone & illustrated by Kristina Rodanas ‧ RELEASE DATE: Sept. 17, 2001
The contemporary Christmas carol comes to life through marvelously detailed illustrations that depict the people and landscapes of the desert. The range of expression in Rodanas’s (Follow the Stars, not reviewed, etc.) characters’ faces and body language truly makes this special. Atop a camel, brightly tasseled and belled, one of the three kings beckons kindly to the boy, welcoming him to join the journey. Warm reds and yellows dominate the desert scenes, as the travelers follow the star and wind their way toward the manger. The illustrations are filled with textures—from the boy’s ragged clothing and the wooden manger filled with hay, to the lamb’s soft wool. When it is his turn to present his gift, the boy stands shyly before the baby, “I am a poor boy too.” Then, hope springs when he realizes he can give the gift of his playing. Together, the donkey and lamb keep time with the ox, whose foreleg is a blur of motion. With the help of a feathery-winged angel shining in the background, the little drummer boy plays his best, and the baby smiles. As he leaves the manger, still softly playing his drum, his expression shows his pride in sharing his wonderful gift. A beautiful demonstration of the true meaning of Christmas. (Picture book. 5-8)
Pub Date: Sept. 17, 2001
ISBN: 0-395-97015-6
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
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