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COLORFUL MONDAYS

A BOOKMOBILE SPREADS HOPE IN HONDURAS

From the Stories From Latin America series

An attempt at conveying the power of story, dampened by a simplistic depiction of a Latine community.

In this tale translated from Spanish, visits from a bookmobile transform a Honduran neighborhood.

Villa Nueva is a place where “happy stories mix with sad ones.” Young Luis likes to lift his family’s spirits by sharing happy ones. On Mondays, the bookmobile’s arrival at school gives him the chance to replenish his well. Read-alouds, puppet shows, and the books the children choose for silent reading enable Luis and his classmates to “carry a glimmer of happiness back to their homes.” Backmatter explains that the story is inspired by the work of JustWorld International, a nonprofit that partners with the local organization Asociación Compartir. Co-author Rodríguez, a writer, educator, and musician from Trojes, El Paraíso, Honduras, who appears in the book, works with the real-life bookmobile. Though the community is initially described as a blend of happy and sad tales, it’s visually depicted as a depressing place where everyone looks downcast. Monochromatic blues and grays dominate, and rich hues appear only when Luis tells a story and when the bookmobile arrives, suggesting less the uplifting potential of a good story than that these people’s lives would be pure misery if it weren’t for the help of people outside the community. While the art is lush and textured and the story engaging, they can’t make up for this flattening portrayal. (This book was reviewed digitally.)

An attempt at conveying the power of story, dampened by a simplistic depiction of a Latine community. (Picture book. 5-9)

Pub Date: Sept. 19, 2023

ISBN: 9780802856166

Page Count: 36

Publisher: Eerdmans

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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