A nostalgic story that will appeal to lovers of old-fashioned tales.
In 1891 Australia, a girl grieving the loss of her parents bonds with a shipwrecked rhinoceros.
Evie, 10, hasn’t spoken since her parents died at sea two years ago. She lives with her ornithologist grandfather in “crumbling” Lunar House in a remote corner of the state of Victoria, where they are tended by Cook (their housekeeper) and Mr. Duffer (their farmhand). Evie has a preternatural affinity for animals, so when she comes across Rhino stranded on the beach, she’s unafraid and leads him home to the stables. Rhino’s an astonishingly agreeable fellow and quickly endears himself to the household, even going so far as to help Cook with the laundry. Nevertheless, Grandpa telegraphs the authorities and learns Rhino had been bound for the Royal Melbourne Zoo, which dispatches a representative to retrieve him. Evie frets over the prospect of losing Rhino, and Grandpa frets over the effect his loss will have on Evie. Basing her tale on a real incident, the shipwreck of the SS Bancoora, McMullin’s cozy adventure of interspecies love and healing has the sentimental feel of children’s literature of yore. Rhino’s cloying adoration of “the golden-haired human child” is only slightly tempered by his appealing earthiness. The human characters read white, and, underscoring the social class differences, the servants’ speech is rendered phonetically (“Yer drenched. Come on, let’s git yer changed”). Hicks’ grayscale drawings punctuate the text.
A nostalgic story that will appeal to lovers of old-fashioned tales. (author's note, recipe) (Historical fiction. 8-11)Pub Date: June 3, 2025
ISBN: 9781761600302
Page Count: 272
Publisher: Walker Books Australia
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
SEEN & HEARD
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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