The quality, humor and variety make for another successful New Yorker collection.
A worthy follow-up to last year's Big New Yorker Book of Dogs.
Covers, cartoons, authors of pieces both longer and shorter, reflect current views of the feline subject in all its glory, and sometimes disgrace, as well as those of bygone days. Poets like Ted Hughes and Robert Graves sit alongside contributions from the magazine's former regular columnists—e.g., James Thurber's 1952 post-party tale “The Case of Dimity Ann” and E.B White's informative “How To Make a Cat Trap” (1930). White offers both a complicated assembly job and a simpler, more lethal one for those hardy enough to try. In “The Cats” (2003), John Updike writes about inheriting eight acres and countless cats. Included in this generous collection are big cats, lost cats, Army cats, bookstore and even wine-shop cats, cat therapists, a cat man, catsitters and cat savers. Cartoons and covers reflect more of these cross or interspecies types of rapport and humor. In 1954, a Republican owner of a Manx cat reported his pet's reaction to the mention of the name “Harry Truman” and how he got her down from the living room mantel by saying “Eisenhower.” In one cartoon, a dinner-party host arrives with a cat perched atop a tray and asks his guests, “Cat, anyone?”; another cartoon wonders, “Who's Really Running the City.” This theme is also echoed in some of the selections included among the 24 cover reproductions, like the Sleeping Beauty from Nov. 24, 1997, or the Cat vs. Dog game of chess from June 24, 1974. Other contributors include Roald Dahl, Jamaica Kincaid, Haruki Murakami, Susan Orlean, Robert Pinsky, Ariel Levy, T.C. Boyle and Steven Millhauser.
The quality, humor and variety make for another successful New Yorker collection.Pub Date: Oct. 1, 2013
ISBN: 978-0-679-64477-4
Page Count: 352
Publisher: Random House
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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