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BATTLE OF THE CRATER

Well-researched and entertaining.

Putative presidential hopeful, political lightning rod and prolific author Gingrich (Gettysburg, 2003, etc.) novelizes a little-known Civil War battle.

Joined by Forstchen, Gingrich deconstructs an 1864 Union effort that could have ended the war. The Battle of the Crater occurred after Grant maneuvered away from a bloody stalemate at Cold Harbor to attack near Petersburg, Va. Grant wanted to seize Richmond, the linchpin of the Confederacy. Jerusalem Plank Road, “the aorta of Bobbie Lee,” linked the two cities. However, Grant’s probe soon descended into trench warfare, with Confederate lines anchored by Pegram’s Battery. The 48th Pennsylvania Infantry, led by Lt. Col. Henry Pleasants, volunteers from coal-mining country, realized the fortification was only a few hundred feet from their own lines. The miners believed they could tunnel under no-man’s land until they were beneath the fortification, and then plant enough explosives to blast a hole in the defenses. The daring plan was put in place, although few of the brass believed it would work or offered material support. Pleasants, Burnside, Meade and other officers are well-known figures, but other historical people appear, including Garland White, once a slave to Senator Toombs of Georgia, but then serving as sergeant major of the 28th Colored Infantry. A fictional illustrator for Harper’s Weekly, James Reilly, nourished as a homeless young man by an attorney named Abraham Lincoln, is the now-President Lincoln’s secret eye on the battlefield. His character ties the narrative together. The fractured relationship between Burnside and his superior, Meade, which may have doomed the unorthodox plan, is dissected. The authors also provide insight into the treatment of African-American troops, superbly trained to lead the drive through the breech but relegated to the reserves by prejudice. Reilly’s fictional perspective is gained by hindsight, and there’s a disconcerting random switching from first to surnames, but overall, the action-filled narrative is easily followed through the planning, the battle and the inquiries that followed.

Well-researched and entertaining.

Pub Date: Nov. 8, 2011

ISBN: 978-0-312-60710-4

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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