Irish novelist Williams (Four Letters of Love, 1999, etc.) takes spiritual issues seriously—and continues to write...
John the Apostle, now a revered Master in exile with a small band of Christian brothers on the island of Patmos, confronts heresy, schism and doubt.
Infirm of body but strong of spirit, John lives in harsh conditions with a fragile company of believers. Together they await the return of Christ, but impatience and uncertainty create fissures that are beginning to split the group apart. The leading dissenter is Matthias, a cunning cynic who doubts the divinity of Christ and proclaims himself a “divine” being. His scheme involves orchestrating a performance in which he “miraculously” brings back to life a supposedly dead follower of the Master. Matthias begins to eerily echo the words of Christ: “I come to speak the truth. For it has been given to me. I am come a light into the world that whosoever believeth in me should not abide in darkness.” At this point the group splinters into the believers in Matthias and those who remain loyal to John. Meanwhile, an announcement reaches Patmos that the Emperor is dead, though shortly before his death he had issued a decree that the persecution of Christians should cease. Elated, John and his small circle of believers travel to Ephesus, where they discover that Christianity has become a fragile sect in danger of dying away. Those who seek favors from John want something tangible rather than the insubstantiality of a “mere” blessing. The true believers have their faith tested by being spurned and spat upon. As John’s hold on life keeps getting more tenuous, Matthias (whom John labels the “anti-Christ”) reappears to wreak yet more theological havoc. Ultimately, John, “in perfect clarity,” is graced with a vision of the end of time and dictates the divinely inspired words to an amanuensis.
Irish novelist Williams (Four Letters of Love, 1999, etc.) takes spiritual issues seriously—and continues to write compellingly about them.Pub Date: Feb. 1, 2008
ISBN: 978-1-59691-467-4
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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