Readable and slight.
A boy in rural southern Italy learns about crime firsthand when he discovers that his own father is part of a kidnapping gang. Rich in setting and detail, Ammaniti’s third, his first to be published here, rests contentedly on its YA bedrock.
Michele Amitrano is nine when one hot summer day in 1978 he falls—literally—onto a boy his own age being held prisoner, chained in the bottom of a deep pit out in the country. Michele is with a group of four or five kids from his village—including his five-year-old sister Maria—when he plummets out of a tree right onto the hidden pit, which is covered by a mattress and sheet of corrugated Fiberglas, but he decides at once not to tell any of them (“He was mine. He was my secret discovery”). How, though, could Michele have known that changes at home—his truck-driver father having recently come back to stay instead of making more long hauls, for example—were connected with the bound and bloodied boy in the pit (Filippo Carducci by name, as Michele will learn from the TV news)? The arrival—as a houseguest, the children are told—of an old man named Sergio Materia, and then the gatherings of still other men, who argue angrily among themselves around the dining table into the wee hours—all are ominous signs. After Michele is discovered out at the pit trying to comfort Filippo, not only is he beaten up by gang-helper Felice (“Felice Natale was Skull’s big brother. If Skull was bad, Felice was a thousand times worse”), he’s made to swear never to go back to the pit again, since if he does, his father says, Filippo will certainly be shot. But Michele promised Filippo he’d return. Which will prove stronger: oath to father or promise to the boy? Either way, something terrible is going to happen.
Readable and slight.Pub Date: March 1, 2003
ISBN: 1-84195-297-4
Page Count: 208
Publisher: Canongate
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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