Often horrific, relentlessly stark, and truly unforgettable.
Day (Necrosaurus Rex, 2014) offers 11 dark tales teeming with monstrous beings.
It’s fitting that so many characters in this horror short story collection are surrounded by death. William, the groundskeeper for the Reed family in “The Ghosts in Winter’s Wake,” for example, had a sister who was murdered, and both his mother and Philip, the youngest Reed child, died in the snow. The latter loss conjures up somber memories, which may be causing William to hear voices. Similar tragedies befall the main characters of “Snow Like Lonely Ghosts…” and the genuinely unsettling “Bright Red Mess,” both of whom have lost their mothers. These tales both delve into the shadowy side of humanity; some characters are unhinged while others are sane but simply evil. Vile creatures abound in other stories: some friends soon regret swimming in the vicinity of a rumored Volkswagen-sized turtle in “Chomp Chomp,” and there may be validity to the warning from Tim’s grandfather about a witch in “Spoiling.” Day showcases his versatility in the last two tales: “Beast Mode” abandons chills in favor of action, as vengeance-seeking bikers make the mistake of attacking a werewolf on his wedding day. It’s a visceral piece, rife with blood, biting, and bullets, this time making the monster the protagonist (complete with a romance) and the purely human characters far more ghastly. In the closer, “GG Allin and the Final Flight of the Chrysanthemum Byzantium,” the late, infamous real-life rocker of the title gets a pass out of hell and the gift of immortality. It’s a gleefully odd sci-fi/fantasy hybrid, and exactly how GG stays immortal is best left unspoiled. Prefacing each story are Spooner’s (Dead Men, 2015, etc.) stunning black-and-white illustrations, which look as if they’ve been scratched onto the pages. They accentuate the already haunting descriptions, such as this passage from “Snow Like Lonely Ghosts…”: “Snow falls thick, like meat, and covers damn near everything but the persistence of man….The cold outside is patient, aches bones, like the pain of being lonely.”
Often horrific, relentlessly stark, and truly unforgettable.Pub Date: July 17, 2017
ISBN: 978-1-945373-89-3
Page Count: 138
Publisher: JournalStone
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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