by Nicholas Day illustrated by Luke Spooner ‧ RELEASE DATE: July 17, 2017
Often horrific, relentlessly stark, and truly unforgettable.
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Day (Necrosaurus Rex, 2014) offers 11 dark tales teeming with monstrous beings.
It’s fitting that so many characters in this horror short story collection are surrounded by death. William, the groundskeeper for the Reed family in “The Ghosts in Winter’s Wake,” for example, had a sister who was murdered, and both his mother and Philip, the youngest Reed child, died in the snow. The latter loss conjures up somber memories, which may be causing William to hear voices. Similar tragedies befall the main characters of “Snow Like Lonely Ghosts…” and the genuinely unsettling “Bright Red Mess,” both of whom have lost their mothers. These tales both delve into the shadowy side of humanity; some characters are unhinged while others are sane but simply evil. Vile creatures abound in other stories: some friends soon regret swimming in the vicinity of a rumored Volkswagen-sized turtle in “Chomp Chomp,” and there may be validity to the warning from Tim’s grandfather about a witch in “Spoiling.” Day showcases his versatility in the last two tales: “Beast Mode” abandons chills in favor of action, as vengeance-seeking bikers make the mistake of attacking a werewolf on his wedding day. It’s a visceral piece, rife with blood, biting, and bullets, this time making the monster the protagonist (complete with a romance) and the purely human characters far more ghastly. In the closer, “GG Allin and the Final Flight of the Chrysanthemum Byzantium,” the late, infamous real-life rocker of the title gets a pass out of hell and the gift of immortality. It’s a gleefully odd sci-fi/fantasy hybrid, and exactly how GG stays immortal is best left unspoiled. Prefacing each story are Spooner’s (Dead Men, 2015, etc.) stunning black-and-white illustrations, which look as if they’ve been scratched onto the pages. They accentuate the already haunting descriptions, such as this passage from “Snow Like Lonely Ghosts…”: “Snow falls thick, like meat, and covers damn near everything but the persistence of man….The cold outside is patient, aches bones, like the pain of being lonely.”
Often horrific, relentlessly stark, and truly unforgettable.Pub Date: July 17, 2017
ISBN: 978-1-945373-89-3
Page Count: 138
Publisher: JournalStone
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
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by Nicholas Day
BOOK REVIEW
by Nicholas Day
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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