Though Meyer ends by identifying himself as a forger, a generation of readers will be ever grateful for his efforts.
First, the bad news: In his closing acknowledgments, Meyer, dropping his pose as Dr. John H. Watson’s editor, announces: “I’m thinking this will be my last Holmes novel.”
Now, the other news, which is mostly excellent except for Rupert Milestone, the portrait painter who hasn’t paid the rent for his Notting Hill studio for three months. His landlady, recently widowed Lady Vera Glendenning, engages Holmes to find him, but the trail has gone cold—though not as cold as the body the Metropolitan Police eventually discover in a location as gruesome as it is unoriginal. In life, Milestone seems to have been an immensely gifted mimic who could copy the styles of masters old and new while displaying precious little originality of his own. The news that he was also a restorer who worked for fearsomely dominant art dealer Sir Jonathan Van Dam, Lord Southbank, poses questions about the relations between the paintings he restored and those he created. Calling on Juliet Packwood, the niece of Milestone’s dealer (and the daughter of Watson’s late comrade-in-arms Col. John Packwood), and Signor Garibaldi, Van Dam’s authenticator, leads Watson to a theory of the case and an amatory attachment that may compromise his deductions. At length, Holmes, more disinterested, more analytical, and able to see more complications beneath the obvious solution, leads Watson and the Met to a denouement as surprising and fulfilling as any in the sacred scriptures themselves. The whole exercise is adorned with the usual footnotes and an increasingly pointed and self-reflexive series of discussions about copies, forgeries, and the “real thing.”
Though Meyer ends by identifying himself as a forger, a generation of readers will be ever grateful for his efforts.Pub Date: Aug. 26, 2025
ISBN: 9781613166567
Page Count: 264
Publisher: Mysterious Press
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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