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ROC AND ROE'S TWELVE DAYS OF CHRISTMAS

For fans only

Celebrity children decorate a Christmas tree over the course of 12 days.

“On the first day of Christmas, / Roc and Roe put on their Christmas tree / an angel with sparkly, shiny wings.” From that inauspicious start, America’s Got Talent host Cannon sets the children to decorating the tree, one day at a time, with such trinkets as singing Santas, balloons with bows, festive fairies and chugging choo-choos. As the twins decorate, their two Jack Russell terriers cavort—probably the inspiration for the tree’s “nine jumping Jacks.” The children are modeled on Cannon and Mariah Carey’s twins, Moroccan and Monroe (seen in a family photo on the front endpapers). There is no getting around the stumbling rhythms and occasionally obscure, presumably scansion-forced vocabulary; in addition to those jumping Jacks, the kids hang “three ‘pip’ photos,” a reference that may send readers unfamiliar with this Carey-ism to Google to parse (a note on the jacket flap is utterly opaque). Ford does his best to make it work. Amusingly, the two children pack the bottom boughs full, not attempting the higher ones till Day 11, when Roc teeters dangerously on, presumably, a windowsill to hang some teddy bears. Probably the book’s greatest contribution is the prominent placement of a dark-skinned angel on Day 1; this acts as a focal point for all that follows.

For fans only . (Picture book. 3-5)

Pub Date: Oct. 28, 2014

ISBN: 978-0-545-51950-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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