A tigress raises two cubs in this brief, poetic picture book that lends itself equally well to a read-aloud or independent reading. Sensuous present-tense text presents the tigress as mother, hunter, and, above all, force of nature. Chapman’s bright, full-bleed acrylics make the most of the text, lush spreads giving equal weight to beauty and savagery (a stop-motion kill is most effective), the primary type set against faint paisley patterns that move in and out of the jungle background. Italicized snippets provide hard facts that supplement the more emotive narrative: “[The cubs] are too small to walk far, so the tigress uses tooth power” is glossed by, “Tiger cubs have loose skin on their necks, which makes them easy to lift.” The whole takes itself seriously as nonfiction, an index (with a little lesson in how to use it) providing access to the paged text that precedes it. A brief author’s note gives a few more facts about tigers and their current endangered status today, and it is, refreshingly, as easy for primary graders to read as the main narrative. A lovely, solid package. (Picture book/nonfiction. 5-8)
Pub Date: June 1, 2004
ISBN: 0-7636-2325-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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