A hoot and a half, and then some: hands down, the best island farce since Vonnegut’s Cat’s Cradle half a century ago.
Imagine Superman in Grand Fenwick and you’ll have some idea of Harkaway’s (Angelmaker, 2012, etc.) brilliantly imagined latest romp.
“It’s amazing being a superhero,” says Lester Ferris as the action winds down at the end of Harkaway’s latest. “It’s totally mad.” Ferris, aka the Sergeant, hasn’t been on Mancreu for long, but he’s lived 10 lifetimes there. Posted to a supposedly quiet patch of earth after long, soul-shattering duty in Afghanistan (“the Americans called it a Total Goatfuck”) and Iraq, he’s found himself on a spit of land out in the Arabian Sea that, thanks to climate change, is in danger of receding under the waves—but until that time is a convenient entrepôt for drug dealers, arms smugglers, pirates, spies, defectors, flimflam artists, multinational corporatists and all the usual suspects, not least of them numerous powers NATO and otherwise: “[V]arious interests,” writes Harkaway, “were making use of the lawless nature of the Mancreu waters for things they might not otherwise be able to do.” Mancreu’s hub is a cafe owned by a fine fellow named Shola, who’s mowed down by gunmen for no apparent reason. The Sergeant, aided—or perhaps not—by shadowy figures flying the stars and stripes and the tricolor, is at a loss until, visited of a night by a tiger, he takes on the superhero guise of the title, suggested to him by a comic-book–loving, lonely teenager helpfully named Robin. The ensuing showdown is full of in-jokes, knowing nods to the headlines and miscreant Belgians, which will please fans of Monty Python if not necessarily the good burghers of Antwerp. The cast of characters is straight out of a Milton Caniff cartoon, with names like Bad Jack, White Raoul and the Witch, but the burdens poor Mancreu has to bear, from land rape and gang war to toxic dumping and international intrigue, are thoroughly modern millstones.
A hoot and a half, and then some: hands down, the best island farce since Vonnegut’s Cat’s Cradle half a century ago.Pub Date: July 29, 2014
ISBN: 978-0-385-35241-3
Page Count: 368
Publisher: Knopf
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 1, 2014
SEEN & HEARD
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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