Two intriguing storylines that, like feuding family members, have a hard time talking to one another.
An anthropologist explores a cargo cult in Papua New Guinea while her family back in Ireland struggles with a shocking revelation.
Liz, the hero of Laird’s third novel (Glover’s Mistake, 2009, etc.), is an academic who’s unlucky in love; as the story opens she’s caught her boyfriend with another man. Luckily, she’s written a successful book that gives a self-help twist to Claude Levi-Strauss’ theories about human behavior, which affords her a chance to escape New York to the Pacific island to host a BBC documentary about the founder of the Story, a quasi-Christian cult. First, though, she needs to visit her hometown in Ireland, where her sister, Allison, is getting married again. Her first husband was an abuser, but only after the nuptials does everybody discover that her second, Stephen, is worse: he was a shooter in an Irish Republican Army terrorist attack on a bar that killed five people. The novel alternates from Ireland to PNG, and there are some clear surface parallels: the home of the Story is called New Ulster, and Belef, the leader of the cargo cult, is in a dispute with the local mainline Christian group that echoes the Catholic-Protestant split during the Troubles. But the novel still feels like two tonally different novels imperfectly stitched together, one a Paul Theroux–esque exploration of a foreign land from an outsider perspective, the other a more Anne Enright–ish domestic study mainly concerned with Allison pressing Stephen to reckon with his past. Only occasionally does Laird oversell the connection between the two threads (“This family is like a cult we all follow but nobody remembers why!” Allison exclaims). But though faith and family remain topic A throughout, the dramas and circumstances on Ireland and PNG are so different that the connection feels forced.
Two intriguing storylines that, like feuding family members, have a hard time talking to one another.Pub Date: June 27, 2017
ISBN: 978-0-670-02514-5
Page Count: 320
Publisher: Viking
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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