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PADDLE YOUR OWN CANOE

ONE MAN'S FUNDAMENTALS FOR DELICIOUS LIVING

Fans of Parks and Recreation and Offerman’s brand of deadpan humor are sure to gorge themselves on the healthy portion he...

An actor’s comedic memoir and how-to guide for enjoyable living in the modern era.

In his debut book, actor Offerman—best known for his role as the carnivorous, hypermasculine Ron Swanson on NBC’s Parks and Recreation—summons his inner Swanson when writing of his principles for “Delicious Living.” For the author, living deliciously means dedicating more than a few pages to the wonder of meat (“If there is a God, no part of the Bible or Christian doctrine will convince me of his existence half as much as the flavor of a barbecued pork rib”), though he tackles more serious subjects as well: religion, love, friendship and the value of hard work. In a particularly prickly chapter entitled “Assholes” (in which he tackles everything from slavery to lobbyists), Offerman becomes acutely aware of his balancing act between comic and curmudgeon. “But wait, I thought this book was a lighthearted look at living one’s life deliciously?” he writes. “That’s all well and good, fat boy, but you cannot just blithely drift through life in your canoe whilst turning a blind eye to the bullshit going on around you.” Though he deems himself the “average meat, potatoes, and corn-fed human male,” his Go-West-young-man story is anything but average. From his humble roots as a pig poop–shoveling youth to his rise as a beloved actor, Offerman’s story embodies the tenets of the American dream, complete with a few more moustache jokes. Wavering between finger-shaking admonishments toward society’s ills and songs of praise for self-reliance, Offerman offers plenty of laughs, though a few head scratches as well.

Fans of Parks and Recreation and Offerman’s brand of deadpan humor are sure to gorge themselves on the healthy portion he provides.

Pub Date: Oct. 1, 2013

ISBN: 978-0-525-95421-7

Page Count: 320

Publisher: Dutton

Review Posted Online: July 20, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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