Both the devilry of Tom and the clever inclusion of the consequences of his act invest this story with real charm and make the attending lesson in time most palatable. Tom, who has a head shaped like a paintbrush, discovers a can of red paint under the kitchen sink. It takes him three seconds to figure out what to do with it and three minutes to get the lid off. He paints the entire living room red. His mother goes ballistic; then it takes three weeks to clean up the mess, and each step of the process is delineated. They rent a dumpster for the destroyed furniture, strip the wallpaper, sand the woodwork, pick the paint, reject the paint they picked, and on and on in increasingly smaller typeface that makes readers feel as if they are spinning into the void. Once the mess is cleaned up, a year goes by, then two, then three, and an older Tom finds a can of blue paint under the kitchen sink. It’s a witty lesson, especially with the infusion of the cautionary element and the sense of time it imparts. (Picture book. 3-7)
Pub Date: Jan. 1, 2000
ISBN: 1-888444-63-0
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
Gibberish with meritless pictures. (Picture book. 5-7)
A young girl’s dream takes her on a fantastical adventure.
In what is ostensibly verse, Akley tells of a little girl who has a dream–or perhaps a metaphorical adventure or spiritual awakening–about a gold candlestick. Determined to find the meaning behind it, she embarks on a quest, along the way meeting various preachy animals in different settings. It’s clear that lessons are supposedly being taught, but what exactly that wisdom entails is lost in text that is awkward, lengthy and clichéd. Presented as prose despite the attempted verse, the story fails to generate interest. The accompanying illustrations are unpleasantly colored and amateurish; faces are distorted, and the pictures often deviate from the text. Readers will sense that the girl achieves her quest but will never understand its purpose. Akley claims the story has a basis in the Book of Revelations, but beyond the word “cross” and the possibility of an ever-present shepherd, no actual meaning–religious or secular–is decipherable.
Gibberish with meritless pictures. (Picture book. 5-7)Pub Date: April 13, 2007
ISBN: 978-1-4327-0312-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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