Perfect for one-on-one and small-group reading and guaranteed to provoke discussions around self-worth and social justice.
Celebrating the worth of every child and the 30th anniversary of the United Nations Convention on the Rights of the Child.
Spare free-verse text encourages each child to embrace their unique identity, but it also recognizes that they need and deserve the support of the community to reach their potential, in keeping with the UNCRC (selections from which appear in the backmatter). As the title says, each child is like a song. “Whatever melody a song sings, / each one is true and beautiful; / unique and special as your own.” A brown-skinned child with short, straight black hair skips down a road in an aerial view, a serene blue bird in the foreground. But in the next spread, a child stands alone, reaching for assistance as a throng of busy adults walks by, absorbed in their own business. While illustrations with sweeping splashes of rich color and minimal details don’t shy from depicting the chaos and danger for refugees in a small boat in a storm and the darkness of forced silence, hate, and war, the overarching tone is positive. A scene of a multiracial group of people striding (and rolling, for a child in a wheelchair) with purpose accompanies the hopeful text: “For together, we raise our voices / for the right of every song to sing out loud, bold and unafraid.” Front endpapers show a single flying bird while a flock of multicolored birds soars on the back endpapers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 48% of actual size.)
Perfect for one-on-one and small-group reading and guaranteed to provoke discussions around self-worth and social justice. (foreword) (Picture book. 4-8)Pub Date: Sept. 22, 2020
ISBN: 978-1-62371-872-5
Page Count: 32
Publisher: Crocodile/Interlink
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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