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GRANDPA'S GIRLS

The voice may be adult, but the experience is recalled vividly enough to bring young readers along. (Picture book. 6-8)

Warm memories of visits to Grandpa’s house, laced with sentiment and sprinkled with Salish.

Campbell (Shi-shi-etko, also illustrated by LaFave, 2005) draws from childhood experiences to recapture the excitement of visiting her elder relative’s farm. With a gaggle of cousins, the young narrator explores grand-auntie’s old log yuxkn, climbs into the hayloft, feeds crabapples to a horse, gleefully pleases an irritated pig, rejects Grandpa’s pokerfaced offerings of “weird food”—“Don’t want no Rocky Mountain oysters. Don’t want liver or tripe, neither”—and ventures into the dusty storage room to see his World War II medals. LaFave’s cartoon illustrations, informally drawn and digitally colored in transparent washes, capture the exhilaration, sending four energetic youngsters in sneakers and short pants roaming through a succession of comfortably well-kept rural scenes. The lack of pronunciation guidance may cause non-Salish readers to stumble over some lines (“Our grand-aunties and grand-uncles call us kids schmém’i?t”), but the joy of being part of a large family gathering and romping about while the grownups chatter and laugh somewhere else will be familiar to a wide audience.

The voice may be adult, but the experience is recalled vividly enough to bring young readers along. (Picture book. 6-8)

Pub Date: Sept. 1, 2011

ISBN: 978-1-55498-084-0

Page Count: 32

Publisher: Groundwood

Review Posted Online: Aug. 30, 2011

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MUD PUDDLE

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...

The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.

Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)

Pub Date: Sept. 1, 2012

ISBN: 978-1-55451-427-4

Page Count: 32

Publisher: Annick Press

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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