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HOW WE SAY I LOVE YOU

A warm embrace of a book.

“My family loves me, and I love them. But we don’t use words to say ‘I love you.’ ”

As a child narrates, readers see a smiling mother, father, grandmother, and grandfather bustle about a cheery, colorful home doing chores. The narrator explains how each family member expresses their love with actions: Mom “stirs her love into a pot of steaming xī fàn” (Mandarin Chinese and Taiwanese Hokkien words are sprinkled throughout and defined in a glossary), Ah Gong walks the child to school in the morning, Ah Ma packs a lunch of noodles, and Dad cheers and encourages from the sidelines of a soccer game. The child also shows love, saying, “I do my best at school so they can feel proud.” Some readers may wonder: Is Chen implying that the family’s reticence when it comes to verbally expressing their love is rooted in their being Chinese? Or is this a Chinese family that happens to be less verbally demonstrative? That’s left up to readers to decide; regardless, it’s abundantly clear from the detailed spreads and expressiveness of the characters that they are full of love for one another, with or without words. (This book was reviewed digitally.)

A warm embrace of a book. (Picture book. 4-7)

Pub Date: Dec. 13, 2022

ISBN: 978-0-593-42839-9

Page Count: 32

Publisher: Knopf

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HAPPY ST. PATRICK'S DAY FROM THE CRAYONS

A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.

A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).

With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)

A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)

Pub Date: Jan. 2, 2024

ISBN: 9780593624333

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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