A provocatively intelligent collection.
Two Catapult magazine editors gather essays about immigration and “the meaning of home” from 20 emerging and established women writers.
Chung (All You Can Ever Know, 2018) and Demary (co-author, with Common: Let Love Have the Last Word, 2019) select personal reflections from writers such as Victoria Blanco, Shing Yin Khor, Cinelle Barnes, and Porochista Khakpour, all of whom are “immigrants, the children of immigrants and refugees, [and/or] people directly affected by immigration policy and how this country treats those who come here.” The book opens with Blanco’s “Why We Cross the Border in El Paso,” which establishes the overarching theme of crossing cultural boundaries. The author revisits childhood memories of watching Mexican families “rush across the Rio Grande” on the way into El Paso. Blanco then muses how, two decades later, a dam that regulates water flow and a tall steel fence now act in concert with border guards to “turn families away.” Khor’s graphic essay, “Say It With Noodles,” explores the emotionally liminal space the author inhabited as the English-speaking daughter of a Chinese family and how food was the medium for how they communicated feelings among their family and to others. In “Carefree White Girls, Careful Brown Girls,” Filipina American author Barnes writes about the meaning of being undocumented. A brief friendship with a former drug delivery girl made her understand how being “cute [and] blonde” allowed her white friend to “get away with danger” while she had to live “forever clean” in order to stay safe from the inevitable judgments others passed on Barnes’ immigration status. In “How to Write Iranian America; Or, The Last Essay,” Khakpour discusses the exhausting burden of being an Iranian-born refugee living in America. With origins that have been “obsessed over” by the news, she must continually explain herself and the “Iranian America” of which she is part. Fierce and diverse, these essays tell personal stories that humanize immigration in unique, necessary ways.
A provocatively intelligent collection.Pub Date: Feb. 11, 2020
ISBN: 978-1-948226-78-3
Page Count: 240
Publisher: Catapult
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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