When her family purchases a young chicken, Jamela names her Christmas and enthusiastically helps to fatten her up for her namesake holiday. She gives her food and water, talks to her, and gives her gifts. Mama worries about the moment when Jamela will realize that the chicken must be cooked. She is right to worry. Jamela runs away with the chicken, only to lose it in a crowd. A mad chase ensues as Mama, Jamela, and Mrs. Zibi (the would-be chicken killer) attempt to recapture Christmas as she runs through the market, in and out of a taxi, and into Miss Style Hairdressers. Of course, Christmas is saved, because “You can’t eat friends.” Daly (Bravo, Zan Angelo!, 1998, etc.) seamlessly interweaves elements of the culture and language of a modern South African township in both the lively text and delightful, detailed illustrations. Jamela plays with African carved figures and animals, as well as a Mickey Mouse toy. The school nativity play includes Basuto hats, Madiba shirts, marimbas, and the baby carried on its mama’s back. The market is full of color and movement. A warm, close-knit family and community lovingly nurture Jamela. All the characters, major and minor, are drawn as distinct individuals with expressive faces and body language. The entire work is carefully crafted, from the chickens running across the endpapers to the glossary that clarifies word origins and meanings. But it is Jamela who is the star. She is mischievous, boisterous, loving, generous, worried, determined, even defiant, and it’s all there in her face. This little girl is a charmer and so is her story. (Picture book. 3-8)
Pub Date: Oct. 8, 2001
ISBN: 0-374-35602-5
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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