From bestselling poet Giovanni, recently appointed professor of English at Virginia Polytechnic: over two dozen short essays, personal and political, on topics ranging from Spike Lee's Malcolm X to matters of family and friends While working primarily in the public realm by writing about various aspects of American life as she has encountered them in the past few years, Giovanni also leaves room for more intimate ruminations: on moving to Virginia; on the vagaries of teaching poetry; or on the significance of buying a candy-red sports car. Often affirming her affinity for the original Star Trek series, and especially for the role of communications officer Uhura (``The voice of the entire Federation''), she frequently evokes the memories and lessons of the Sixties as evidence of gains in justice and equality for black Americans. But with racism still present in both society and the classroom, and African-American collegians still an imperiled minority, the author comes down hard on those seen as perpetuating the problem, such as Spike Lee, for his lack of historical perspective and for his distorted, self-serving portrait of a genuine black hero. The general rage may be mellower with age, but Giovanni's ability to provoke with barbed comments remains much in evidence. Unfortunately, though, without the cutting edge consistently applied, these views of society and culture tend to ramble and reminisce more than drive the point home, leaving a favorable—but less than lasting—impression.
Pub Date: Feb. 21, 1994
ISBN: 0-688-04332-1
Page Count: 192
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
IN THE NEWS
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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