Joy and hope walk alongside sadness and grief in this unforgettable work.
A multilayered tale of loss.
A Black boy opens an envelope from his recently deceased father and finds a treasure map marked with a red X. Disappointed his dad hasn’t left him a letter, the boy puts on his hiking boots and reluctantly enters the woods. As he walks along the Hudson, he sees animals and notices reminders of the Mohicans, the original inhabitants of this land. Entering the ruins of a house, he finds a metal box in the brick fireplace and opens it with a key that has mysteriously appeared in his pocket. Inside, he finds a treasure trove of drawings of the natural world and an invitation to honor his father’s artistic legacy. Grimes’ quiet yet potent verse captures not only the boy’s loss, but also the memories his father has left behind. In a moving author’s note, she discusses her decadeslong friendship with Jerry Pinkney, who completed sketches for the book before he died in 2021; in an illustrator’s note, Brian Pinkney describes how he completed the artwork and explains that this story mirrors his own experience of grappling with his father’s death. Brian’s stunning, opalescent watercolors closely resemble Jerry’s but include the circular patterns and movement characteristic of his own illustrations. Together, Grimes and the Pinkneys have produced a profoundly stirring and thought-provoking musing on how the ones we love never really leave us. (This book was reviewed digitally.)
Joy and hope walk alongside sadness and grief in this unforgettable work. (Picture book. 4-10)Pub Date: Sept. 12, 2023
ISBN: 9780823449651
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
