A handsome, well-designed offering for middle readers and families.
Through beautiful, lucid free verse, Nikki Grimes explores some of the ambiguous, enigmatic events and circumstances leading up to the central theme behind the annual Easter observance.
Twenty-two poems introduced by a brief explanatory paragraph portray the story through the imagined eyes of the principals involved. Details of the Last Supper, Pilate’s wife’s role, the religious council tribunal, Mary’s grief, the darkening of the sky at the time of the crucifixion and the site of the ascension are all included. Questions raised in each piece encourage discussion of multiple interpretations, as in the poem titled “What’s in a Name?,” which refers to Judas’s role as one of betrayer and the subsequent altered implication to his name. Poetry is gentle yet thoughtful, alluding to the brutality of the execution while providing an almost prayer-like personal reflection. Multi-colored woodcuts suggest the emotion and mood of each scene in a parody of stained glass.
A handsome, well-designed offering for middle readers and families. (Poetry. 10+)Pub Date: Feb. 1, 2005
ISBN: 0-8028-5183-5
Page Count: 48
Publisher: Eerdmans
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
An intimate novel that beautifully confronts grief and loss.
It’s 1983, and 13-year-old Indian American Reha feels caught between two worlds.
Monday through Friday, she goes to a school where she stands out for not being White but where she has a weekday best friend, Rachel, and does English projects with potential crush Pete. On the weekends, she’s with her other best friend, Sunita (Sunny for short), at gatherings hosted by her Indian community. Reha feels frustrated that her parents refuse to acknowledge her Americanness and insist on raising her with Indian values and habits. Then, on the night of the middle school dance, her mother is admitted to the hospital, and Reha’s world is split in two again: this time, between hospital and home. Suddenly she must learn not just how to be both Indian and American, but also how to live with her mother’s leukemia diagnosis. The sections dealing with Reha’s immigrant identity rely on oft-told themes about the overprotectiveness of immigrant parents and lack the nuance found in later pages. Reha’s story of her evolving relationships with her parents, however, feels layered and real, and the scenes in which Reha must grapple with the possible loss of a parent are beautifully and sensitively rendered. The sophistication of the text makes it a valuable and thought-provoking read even for those older than the protagonist.
An intimate novel that beautifully confronts grief and loss. (Verse novel. 11-15)Pub Date: Feb. 2, 2021
ISBN: 978-0-06-304742-6
Page Count: 224
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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