Masterful prose and exquisite images combine for an unforgettable Nativity retelling.
Grimes and Carlos’ take on the birth of Jesus celebrates the majesty and diversity of the natural world.
As the story opens, the animals learn that the Holy One has been born, and they begin to make their way to Bethlehem, laden with gifts. Antelope brings an alabaster flask containing myrrh, while Lion brings a bronze bowl. Donkey carries dates and dried apricot cakes, while Crane brings a spoon made from ebony, and Jackal the Clever brings a linen sash and frankincense. Goat’s gift is a harp, while Leopard’s is a crown of electrum. At last, they all arrive in Bethlehem at the stable where Mary and Joseph are waiting with Jesus. All three present as Black; Mary and Joseph have Afro-textured hair, and Mary’s hair is in braids. Nightingale gives the first gift to the Holy One: the gift of song, which startles—and delights—the baby. The other animals, inspired, play their own instruments. Grimes’ lush verse is brought to life by Carlos’ vibrant, ornate art, which depicts the fancifully colored animals striking dynamic poses and carrying sumptuous gifts. The angels, depicted as ghostly white ephemeral beings, contrast beautifully with the multihued animal ensemble. Text and visuals strike a wonderful balance between whimsy and solemnity. Backmatter includes an original song with accompanying sheet music.
Masterful prose and exquisite images combine for an unforgettable Nativity retelling. (Picture book. 4-8)Pub Date: Oct. 10, 2023
ISBN: 9781506485621
Page Count: 40
Publisher: Beaming Books
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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