Dreamers and doers both will find inspiration here.
Urging readers to understand that “What you do, / Where you go, / Who you grow / Up to be / Depends on / The steps you take,” these poems profile children trying on shoes for the future.
Tap shoes for Marc; cleats for Clarice; hiking boots; toe shoes; a nurse’s shoes like Dad’s for Kyle; sturdy work boots, and more, always making certain to avoid gender stereotypes. Grimes weaves subtle messages of power through her bright, breezy language—“Still, his boots / Hold him steady / Once he’s ready / To fix / The world.” Or, in the case of African-American “Talisha’s Toe Shoes”: “Someday I’ll dance / The Nutcracker / (My dream too long deferred). / My arabesque / Will be so fine / They’ll redefine the word.” The sunny tone is matched in Widener’s acrylics with round-headed, rubber-limbed children of all ethnicities wearing oversized footgear, exuberantly dancing, skiing, skating, swimming, or (it’s not all about choosing a career) playing.
Dreamers and doers both will find inspiration here. (Picture book/poetry. 7-9)Pub Date: Sept. 1, 2000
ISBN: 0-531-30286-5
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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