As captivating as it is important, a lovely and essential tribute to the transformation wrought by parenthood.
A halcyon love letter from mothers for the children who transformed their bodies.
This epistolary piece begins with the dream of motherhood as a snoozing woman envisions her future with ruminative anticipation. Flash forward slightly, and Calatzis’ illustrations follow a racially and culturally diverse group of pregnant people as they anticipate what’s to come. Depicted (rather refreshingly) as hard work, labor ushers forth a new era, and these women become parents, mothers for whom love, possibility, and growth—physical and otherwise—abound. Powers’ thesis is a simple one—the child makes the mother, but it’s the latter who carries embodied proof of the life they’ll go on to share. The birthing parents cue largely female, and while a stretch-marked stomach makes a notable appearance, C-section scarring does not. Still, the identities and bodies rendered throughout prove thoughtfully, thoroughly diverse otherwise. The result not only offers context for the physical experience of motherhood— “wrinkles, sags, grays, / new markings to cherish”—but also provides a template for the kind of authentic self-love that only inclusive visibility can cultivate. Picture books about parenthood are plentiful, but few capture the corporeal experience with comparable care. Calatzis’ artwork, a stunning combination of collage and embroidery, underscores the act of making as being intentional and effortful, an aesthetic message deeply compatible with Powers’ thoughtful, empowering text.
As captivating as it is important, a lovely and essential tribute to the transformation wrought by parenthood. (Picture book. 4-8)Pub Date: Dec. 9, 2025
ISBN: 9781536230062
Page Count: 40
Publisher: Walker US/Candlewick
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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