Quintessentially Russian in mood and theme, the collected novellas of 89-year-old Russian ÇmigrÇ and former Princeton professor Berberova now make their American debut. Set mainly in Paris, where Berberova, like so many other Russians, lived after the Revolution, the six stories are of men and women ill-prepared for exile and irrevocably shaped by their Russian past. In ``The Resurrection of Mozart,'' the Russian hosts of a party in the French countryside on the eve of the German invasion are relatively prosperous, but the hostess—when asked whom she would choose to resurrect—suggests Mozart, because she connects his name with her earliest childhood and because he lives on as something ``transparent and eternal that might take the place of happiness.'' In ``The Waiter and the Slut,'' the aging Tania, who has lived off men since she came to Paris, moves in with an old ÇmigrÇ waiter and decides to take revenge for her unhappy life by inciting him to murder her. Meanwhile, in the longest two pieces- -''The Tattered Cloak'' and ``The Black Pestilence''—a woman and man respectively cannot escape the past. The young woman, who works in a Parisian laundry, is sustained by the story of the legendary ``Tattered Cloak'' told to her in St. Petersburg. And like the diseased pearl earring he must sell, the man in the second story- -despite friendship and an advantageous move to America—is slowly being destroyed by grief for the woman—a victim of the Revolution- -he loved. The remaining ``Astashev in Paris'' and ``Memory of Schliemann'' describe two men—one who cynically tries to escape the past, and the other who finally resigns himself to the present. Unrelieved bleakness—economically told and skillfully executed, but too cerebral, too carefully crafted to move.
Pub Date: June 1, 1991
ISBN: 0-679-40281-0
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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