Sidesplitting comic writing and an appealingly messy protagonist to root for.
A young Australian woman leaves her small town for university in Melbourne—only to have to face her past in a romantic comedy that brings the rom and tons of the com.
Harper, whose grandparents own the house Brooke has moved into, has set three rules: “no pets; no romance between housemates; and no unnecessary drama.” The two young women meet for the first time when Brooke moves in, but when the third housemate arrives, it’s someone Brooke knows: Jesse. The same Jesse who jilted and publicly humiliated her when they were 14, after she experienced her first kiss with him. He became her secretly sworn enemy through the rest of their school days. Rule-follower Brooke does her best to avoid Jesse in order to prevent Harper’s sensing any drama, but the two slowly get pulled into spending time together. Brooke is determined to hold on to her grudge, but Jesse proves himself worthy of redemption, rekindling feelings that have lain dormant for the past five years. Following numerous comedic missteps and beloved rom-com tropes, including “enemies to lovers” and “boy next door,” the story culminates in a satisfyingly romantic ending. The hilarious scenes are cinematically portrayed, and the first-person narrative is heightened by Brooke’s funny, anxious, distinctive inner monologue. All main characters present White.
Sidesplitting comic writing and an appealingly messy protagonist to root for. (Fiction. 13-18)Pub Date: Aug. 8, 2023
ISBN: 9781250894427
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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