A tender tale featuring a loving two-mom family that will resonate with any child who has ever missed a loved one.
A child misses their Mommy when she goes away for a few days.
On Monday, when “the sun is still hiding and the moon is still bright,” Mommy, a Black woman, wakes her young daughter with a kiss on the cheek. Like “always,” Mama, a White woman with purple hair, gets the plates, the child gets the silverware, and Mommy cooks pancakes. But, unlike most days, Mommy leaves for a work trip to a “faraway place,” to return on Sunday. After her departure, many things throw off the child’s routine and elicit big feelings. At the sidewalk cafe, there are two cups instead of the usual three. At the store, the child picks up “blueberries for Mommy” before remembering she isn’t home. The girl grows more and more despondent, eventually succumbing to tears; but after a snuggle from Mama, things begin to look up when the child gets an idea for how to welcome Mommy home. YA author LaCour’s picture-book debut, narrated from the child’s first-person perspective, is filled to the brim with love. Juanita’s mixed-media illustrations—a combination of spot art and full-bleed spreads—vividly capture the coziness of the family’s life and the range of emotions the child experiences. Visual motifs throughout—such as three raccoons crossing the street and three chairs at the cafe—subtly remind readers of Mommy’s absence. Mama has tattoos, and Mommy and the girl both have natural hair and skin patches that suggest vitiligo. (This book was reviewed digitally.)
A tender tale featuring a loving two-mom family that will resonate with any child who has ever missed a loved one. (Picture book. 3-7)Pub Date: March 29, 2022
ISBN: 978-1-5362-1151-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
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