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LOVE IS MY FAVORITE COLOR

Another treasure from a well-matched team.

Laden and Castrillón team up again, this time conveying metaphors for abstractions such as friendship and gratitude through rhyming couplets and gentle art.

“Love is my favorite color. I love every color I see.” The word love is set off in a magenta semi-script, while the accompanying illustration depicts two children, apparently siblings, joyously jumping on a bed. On the next page, the older of the two tells us, “Peace is my favorite song. I sing it and I feel free.” The accompanying image depicts the children high in a sturdy treehouse, smiling at the fanciful, swirling birds and branches surrounding them. “Friendship is my favorite dance,” says the child on another page; “There are so many dances to try.” An image shows the child cavorting and smiling with a group of other youngsters. Throughout, the book thoughtfully conveys big ideas using experiences that will be understood even by the youngest readers, though older, contemplative children will feel especially affirmed. While there’s a retro feeling to the muted palette, the use of wavy-lined geometry, and the myriad pencil strokes that fill in various spaces, the sensitivity and sensibility are all 21st-century, particularly on spreads extolling bravery (“my favorite mountain”) and equality (“my favorite door”). The soothing text and gentle art are a perfect segue into naptime or bedtime.

Another treasure from a well-matched team. (Picture book. 4-8)

Pub Date: Jan. 2, 2024

ISBN: 9781665913096

Page Count: 40

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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