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THE WORLD WE MAKE

From the Great Cities series , Vol. 2

A ray of hope in a dark time.

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In this follow-up to The City We Became (2020), the human avatars of New York City battle an extradimensional threat to the multiverse.

As New York attempts to persuade the other living cities of the world to join them in the fight for all humanity against R’lyeh, the alien city housing genocidal Lovecraft-ian horrors and represented by the sinister Woman in White, the city's avatars confront new challenges. Padmini, the avatar of Queens, faces deportation to India. Savvy city councilwoman Brooklyn campaigns for mayor against Sen. Panfilo, a xenophobic White man who promises to bring New York back to traditional values—he's secretly supported by the Woman in White and publicly defended by a band of violent skinheads. Manny is being pressured by his powerful family to abandon his role as Manhattan’s avatar and become the emerging city of Chicago’s primary avatar instead, a decision that would also mean abandoning New York’s primary avatar, Neek, with whom Manny is in love. Meanwhile, Aislyn, Staten Island’s avatar, discovers the downsides of turning her back on the rest of the city and allying herself with the Woman in White. As in the previous book, this is a fantasy inspired by the very real division between those who embrace difference (and are only intolerant of intolerance) and those who seek a creativity-killing homogeneity, seeing it as a return to a supposedly moral past that never existed. The story also explores how perceptions about a place imposed on it by outsiders—who have only the most distorted views about it from popular culture—can have genuinely damaging effects. It's cathartic to imagine fighting these slippery, inimical forces with magic, to believe for a moment that some complex problems have direct solutions—that passion, faith, and the will to fight can make miracles happen. Perhaps the possibility of confronting those problems head-on might serve as inspiration for all of us facing variants of this issue in the real world and help us model ourselves after Jemisin’s characterization of New Yorkers: tough, nasty, but ultimately kind people who defend their own while embracing newcomers into their midst.

A ray of hope in a dark time.

Pub Date: Nov. 1, 2022

ISBN: 978-0-316-50989-3

Page Count: 448

Publisher: Orbit

Review Posted Online: Aug. 1, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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