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THE WORLD WE MAKE

From the Great Cities series , Vol. 2

A ray of hope in a dark time.

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In this follow-up to The City We Became (2020), the human avatars of New York City battle an extradimensional threat to the multiverse.

As New York attempts to persuade the other living cities of the world to join them in the fight for all humanity against R’lyeh, the alien city housing genocidal Lovecraft-ian horrors and represented by the sinister Woman in White, the city's avatars confront new challenges. Padmini, the avatar of Queens, faces deportation to India. Savvy city councilwoman Brooklyn campaigns for mayor against Sen. Panfilo, a xenophobic White man who promises to bring New York back to traditional values—he's secretly supported by the Woman in White and publicly defended by a band of violent skinheads. Manny is being pressured by his powerful family to abandon his role as Manhattan’s avatar and become the emerging city of Chicago’s primary avatar instead, a decision that would also mean abandoning New York’s primary avatar, Neek, with whom Manny is in love. Meanwhile, Aislyn, Staten Island’s avatar, discovers the downsides of turning her back on the rest of the city and allying herself with the Woman in White. As in the previous book, this is a fantasy inspired by the very real division between those who embrace difference (and are only intolerant of intolerance) and those who seek a creativity-killing homogeneity, seeing it as a return to a supposedly moral past that never existed. The story also explores how perceptions about a place imposed on it by outsiders—who have only the most distorted views about it from popular culture—can have genuinely damaging effects. It's cathartic to imagine fighting these slippery, inimical forces with magic, to believe for a moment that some complex problems have direct solutions—that passion, faith, and the will to fight can make miracles happen. Perhaps the possibility of confronting those problems head-on might serve as inspiration for all of us facing variants of this issue in the real world and help us model ourselves after Jemisin’s characterization of New Yorkers: tough, nasty, but ultimately kind people who defend their own while embracing newcomers into their midst.

A ray of hope in a dark time.

Pub Date: Nov. 1, 2022

ISBN: 978-0-316-50989-3

Page Count: 448

Publisher: Orbit

Review Posted Online: Aug. 1, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BLOODGUARD

An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.

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A princess and a gladiator join forces amidst political intrigue and bloody carnage in Robson’s fantasy novel.

For the citizens of the wealthy kingdom of Arrow, the most exciting entertainment can be found in the arena—for the gladiators from the surrounding kingdoms, it’s a relentlessly brutal series of fights to the death. The combatants hope to win enough matches to earn the royal title of “Bloodguard,” which will allow their families to immigrate to Arrow. Leith, a gladiator in his mid-20s, is a skilled fighter driven by his desperation to support his mother and two younger sisters (and by the rage built from years of killing his peers for an audience’s delectation). After killing the arrogant Lord Filip (who challenged him to an impromptu duel) and subsequently emerging victorious in a surprise melee with a group of his peers and a dragon, Leith is getting closer to becoming a Bloodguard. He attracts the attention of Princess Maeve, a 20-year-old healer. Now that her fiance, Lord Filip, is dead, she’s in dire need of a noble spouse so that she can claim the throne when she turns 21. Maeve proposes a deal: She’ll help Leith achieve the Bloodguard status in exchange for his hand in marriage. But as their relationship blossoms, problems arise when royal secrets are revealed and government corruption is exposed. Soon, they’re not just vying for a title and a crown—they’re fighting for their lives. Robson’s novel is an exciting blend of action, palace intrigue, and romance in a high fantasy setting. The story unfolds through the perspectives of Maeve and Leith, who are both compelling and well developed, with flaws, foibles, and distinctive voices. The supporting characters are equally intriguing. Readers will love the richly detailed worldbuilding and combat sequences, as well as the use of snarky, modern language (“Of course the only royal offering me help is one who’s clawing her way to the throne, not already sitting pretty on one. That tracks,” Leith gripes). The book’s thoughtful queer representation and exploration of oppression and exploitation are also noteworthy.

An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.

Pub Date: Oct. 22, 2024

ISBN: 9781649374059

Page Count: 448

Publisher: Entangled: Red Tower Books

Review Posted Online: Sept. 3, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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