by Noah Van Sciver ; illustrated by Noah Van Sciver ‧ RELEASE DATE: Dec. 23, 2025
Engaging and eye-opening.
Calamity Jane’s legend goes under the microscope.
At the 1901 Pan-American Exposition in Buffalo, N.Y., Calamity Jane recounts her exploits to a diverse crowd of spectators. The crowd audibly gasps as the former Pony Express rider—known to friends by her birth name, Martha—describes how she bested a desperado armed only with a meat cleaver. Buffalo Bill Cody, his Cowboy Band, and mighty warriors of the Lakota tribe all converge on the stage for a “rousing climactic performance.” On her break, Jane takes trespassing young waifs under her wing, offering them food from her tent alongside a more personal version of her life story. Ultimately, Jane leaves and goes west. Van Sciver’s successful graphic nonfiction formula sends another tall tale packing. An author’s note preempts the narrative with essential historical context on harmful stereotypes and caricatures of Lakota people. Backmatter from contemporary Indigenous scholar and professor Dr. Susana Geliga (Sicangu Lakota and Boriken Taino) expands this context even further to truly center Indigenous perspectives against the mythic “Wild American West.” Sepia tones and crosshatching call to mind classic Western comics; the color palette also effectively delineates flashbacks from the story’s present. Photographs add authenticity to the lore, while Jane’s unreliability as a narrator and figure is brought into question and deliciously muddies the truth.
Engaging and eye-opening. (bibliography) (Graphic nonfiction. 8-12)Pub Date: Dec. 23, 2025
ISBN: 9781662665400
Page Count: 96
Publisher: TOON Books/Astra Books for Young Readers
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Noah Van Sciver & Marlena Myles ; illustrated by Noah Van Sciver & Marlena Myles
by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
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A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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by Jacqueline Woodson ; illustrated by Leo Espinosa
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by Jacqueline Woodson ; illustrated by Rafael López
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SEEN & HEARD
by Jordan Sonnenblick ; illustrated by Jordan Sonnenblick ‧ RELEASE DATE: Feb. 2, 2021
Though a bit loose around the edges, a charmer nevertheless.
Tales of a fourth grade ne’er-do-well.
It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.
Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-64723-5
Page Count: 208
Publisher: Scholastic
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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