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RULES AND REPRESENTATIONS

The intelligent, well-informed reader who knows of Chomsky, but not all about Chomsky, would be well-advised to begin this Where-I-Stand treatise with the last chapter—a reasonably accessible presentation of Chomsky's definitions of linguistics and language; of "competence," grammatical and pragmatic. The chapter begins with homage to Eric Lenneberg, and does much to put in perspective Chomsky's quarrels with contemporary schools of linguistics and psychology (not just Skinner, but also Piaget), encapsulating what the preliminary chapters do ad nauseum: attack opponents with scholarly put-downs. Essentially, Chomsky defends his notion that the rules governing linguistic expression are universal and innate, part of the genotype which grows and matures to a steady state, all the while shaped by culture and circumstance. No reason for such a stance to be rejected as "purely hypothetical," he says; no reason for the dichotomy in the human sciences between empirically verifiable "psychological reality" (like reaction time) and abstract hypotheses (like universal unconscious grammatical principles). Physics, he says, never suffered such a dichotomy; and he is right. That said, Chomsky argues that his ideas are eminently testable and chides his critics as dogmatists. Much of this is hard going, assuming a competence at sentence-analysis in Chomsky's mathematico-logical style, not to mention familiarity with less well-known challengers. Chomsky's attack on empiricism and the "poverty of the stimulus" argument seem well-taken, but he is open to question on a number of fronts, including the inaccessibility of the unconscious and the uselessness of introspection. Still, this controversial scholar may have the edge over his detractors: he can point to a complex innate structure for the visual system and maintain, congruently, that the methods of natural science are the ultimate criteria by which rival linguistic schools will stand or fall. Difficult but not unrewarding.

Pub Date: April 1, 1980

ISBN: 0231132700

Page Count: 360

Publisher: Columbia Univ.

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: April 1, 1980

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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