Exciting launch for Roberts’ new trilogy, which promises to explore the mystical power of women to do both good and evil.
A woman inherits a haunted seaside mansion in Maine from a long-lost relative.
Sonya MacTavish isn’t having the best year. After finding her fiance in bed with another woman, she wonders why she ignored so many obvious red flags about him. Sonya eventually leaves the Boston graphic design firm where they both worked after months of harassment and gaslighting, but she’s determined to succeed despite these setbacks. One day a lawyer appears at her door, revealing that her late father, who was adopted as a newborn, had a twin brother he never knew about. This uncle left her a large, rambling mansion in a small coastal town in Maine, but his will stipulates that she must live in the house for three years in order to claim her inheritance. Sonya’s innate stubbornness and strong survival instinct come in handy after discovering the house is haunted by a bevy of ghosts, collectively known as the lost brides. In 1806, a woman was murdered inside the house on her wedding day by a jealous witch, creating a curse so powerful it has lasted generations. A total of seven women have been killed by the curse; their ghosts are a benevolent presence in the house, but the witch’s angry, vengeful ghost also inhabits the place and tries to scare Sonya away. While sleeping, Sonya experiences the memories of the murdered brides and realizes that the ghosts are providing her with clues she can use to finally break the curse. Roberts is in fine form here. Her lush, ethereal world of ghosts and spirits is the perfect foil for Sonya’s down-to-earth, almost spartan manner. Another Roberts hallmark is on display: her continuing thematic exploration of how an individual defeats evil—not by acting alone, but by forming a community and harnessing its members’ strength and power for the coming battle.
Exciting launch for Roberts’ new trilogy, which promises to explore the mystical power of women to do both good and evil.Pub Date: Nov. 21, 2023
ISBN: 9781250288325
Page Count: 432
Publisher: St. Martin's
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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