This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end...
In this sequel to Roberts' apocalyptic Year One (2017), the world settles into its new normal after The Doom. The girl who will be The One reaches her 13th birthday, makes the choice to train with her magical mentor, and steps into her many gifts, then must find allies to prepare for the war to come.
The Doom has killed billions, and the survivors have aligned themselves into different factions, with various priorities. Many have discovered magical abilities; many who don’t have them hunt those who do. Governments have failed, electricity is scarce, industrial production is practically nonexistent, so in order to survive, people must produce or scavenge food and goods. Thirteen years later, New Hope is thriving, magicks and normals banding together for protection and community. Meanwhile, Fallon Swift, raised on a remote farm with her mother, stepfather, and three younger brothers, has learned the basics of survival but knows that when she turns 13, she’s expected to leave with the mysterious Mallick and train for two years, preparing to step into her role as The One, destined to save the world. When the time comes, she goes with him into a mystical forest populated with elves and faeries, where she studies spells, trains with swords, and spars with ghostly figures in order to build her strength and abilities. On the way she finds allies of every variety, including three spirit animals who represent aspects of her powers and humanity that enhance her ability to lead. She also meets a shadowy figure in her dreams who becomes more real once she’s able to travel across spaces in a flash. She realizes he’s a son of New Hope and guesses that their destinies are tied closely together along with his twin sister’s. Change is coming, and it’s up to them to create a new, better world—or die trying. Roberts continues her apocalyptic Chronicles of The One with a mesmerizing follow-up that is bold and breathtaking. Focusing mainly on Fallon’s rise, the plot offers details and vignettes that glimpse the horror and trauma of the past 15 years and introduces the characters who presumably will frame the future.
This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end battle; however, meeting the next generation and watching the heroine grow into her powers and leadership is enthralling.Pub Date: Dec. 4, 2018
ISBN: 978-1-250-12299-5
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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