Bodies pile up around Boone like he's some teenage Jessica Fletcher, straining credulity but not sparking much interest.
If it means putting yourself in danger, do you have to come forward as a witness?
Teenager David Boone and his friend Robbie witness a brutal murder. Boone talks Robbie out of going to the cops, and a few days later, Robbie’s killed in a drive-by. Boone and their friend Andre witness Robbie’s killing, but neither is willing to talk to the cops. When Boone is wounded and Andre killed at Robbie’s funeral, Boone is well and truly scared. Boone’s classmates call him coward; his dad sends him to a therapist. Detective Rylander practically begs him for help, but it takes another, unrelated murder to prompt Boone to come forward as a witness. Award-winning, Canadian writer of teen thrillers McClintock tries her hand at the graphic format with mixed results. Boone’s reasons for not coming forward are complex and interesting, but most of the supporting cast members are one-dimensional. The mystery Boone solves surrounding the unrelated murder will engage more than Boone’s repeated resistance to being a witness. Deas’ scratchy, mostly black-and-white panels look more like sketchbook filler than finished work; the characters are often hard to identify, and their emotions, not to mention ages, are difficult to gauge. However, the use of red as an accent in moments of violence is effective.
Bodies pile up around Boone like he's some teenage Jessica Fletcher, straining credulity but not sparking much interest. (Graphic thriller. 13 & up)Pub Date: Oct. 1, 2012
ISBN: 978-1-55469-789-2
Page Count: 144
Publisher: Orca
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A treat for mystery readers who enjoy being kept in suspense.
Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.
Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.
A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-1-9848-9636-0
Page Count: 400
Publisher: Delacorte
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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