by Norman Messenger & illustrated by Norman Messenger ‧ RELEASE DATE: Oct. 4, 2012
For young would-be tourists as well as students of nature's more fanciful imaginary reaches, the next best thing to an...
Free-floating imagination meets artistic expertise in this visual record of the exotic flora, fauna and (more or less) human residents encountered on an unexpected visit to an elusive island.
Messenger extends his available space with one or two side flaps on nearly every spread and proceeds to fill it all. He provides formally posed, elaborately detailed images of such rare creatures as the tentacled Octofrog and the two-headed Double Cream Cow, along with plants like the Chocolate Tree (in a cutaway view to reveal its peppermint fondant center), a Pasta Tree and the grasping, sinister Tree of Horrible Hands. He also portrays such not-quite-natural features as the aptly named Spooky Dark Mountains and vocal Book Mountain. The brightly striped houses of the friendly, pig-footed local settlers cluster around the foot of the latter. The author points out odd behaviors and special features in chatty explanatory captions throughout, and he also notes that the island is hard to find because it will, without warning, extend legs and wander off. As indeed, it did to him in a moment of inattention.
For young would-be tourists as well as students of nature's more fanciful imaginary reaches, the next best thing to an actual visit. (Picture book. 7-10)Pub Date: Oct. 4, 2012
ISBN: 978-0-7636-6021-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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