Populist excoriation of the US media that amuses but never quite enlightens. In this collection of short pieces culled from his synducated weekly column “Media Beat” and other sources, Solomon gathers together just about all the complaints and criticisms of the-media the left has to make. Concentration of ownership has skewed coverage so that interests of a corporate few are well represented, but stories of working people and the poor are hard to find. White males dominate a “punditocracy” while the voices of people of color and of women are only infrequently heard. Stories of scandal, Ö la Clinton and Lewinsky, keep us amused while the real scandals of corporate downsizing and layoffs and government collusion in such actions remain virtually invisible. These are all important topics, worthy of perusal and consideration, yet here they are mostly reduced to slogans and one-liners. The trouble may lie in the format; a collection of columns is perhaps bound to be superficial. Each piece is no longer than two or three pages, so Solomon can tell us what is wrong but not why. Repetition abounds; we are told the media are “Orwellian” at least seven times. Jokes are repeated, facts are repeated. It’s not that Solomon doesn’t provide us at times with useful information, and he certainly writes with flair and humor—his pundit bashing of such media figures as George Will is telling and hilarious. The political cartoons provided by Matt Wuerker and others are biting, as well. Still, there is a lack of analysis, of explanation, of in-depth investigation. True believers may nod in agreement., but others may simply become bored. Readers would be better served investigating the far superior three- volume study of the media Solomon co-authored with Jeff Cohen: Wizards of Media Oz; Through the Media Looking Glass; Adventures in Medialand (not reviewed). While skewering the media, Solomon commits the same sins of which he finds them guilty: sensationalism, superficiality, banality.
Pub Date: April 30, 1999
ISBN: 1-56751-155-4
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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