SING A BLACK GIRL'S SONG

Previously unseen writing from an essential Black author.

Shange is perhaps best known for her Obie Award–winning play, for colored girls who have considered suicide/when the rainbow is enuf. But in addition to being a playwright, she was also a poet, a novelist, and a diarist, and when she died in 2018, she left behind a wealth of unpublished work. Harvard professor Imani Perry searched through these archives and chose the essays, poems, short stories, and plays presented in this collection. Tarana Burke, founder of the #MeToo movement and bestselling author, offers a foreword in which she explains how “Shange’s words gave me language for my own experiences with trauma and love.” Born Paulette Williams in Trenton, New Jersey, in 1948, the writer would ultimately change her name and become a prominent figure in the Black Arts Movement. In some of these pieces, Shange offers glimpses of her family—well-educated, financially well off, and keenly aware of racial difference. She describes a voracious love of reading that encompassed everything from Nancy Drew to Giovanni’s Room as well as the process of discovering the voice that begins to emerge in her early poems. Those acquainted with the author will see familiar themes emerge as she engages with colonialism, code switching, white supremacy, liberation politics, sexism, sexual violence, and collective trauma. She writes of desire and despair and revolution and Black joy using language and imagery that she was taught to hide from white people. In a series of short vignettes Perry gathers into a chapter called “Dark Rooms,” Shange speaks candidly of her struggles with mental health and her years in psychoanalysis, and she insists that therapy made her a better writer. Several plays, only one of which has been performed, are presented here. Shange continued writing and experimenting right up until her death, and the last section of this book contains poems and prose she produced between 1996 and 2018.

The literary value of these works extends far beyond the insight they offer into Shange’s life and artistic career.