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CHRIS P. BACON

MY LIFE SO FAR...

Smooth of presentation, if simple of message; the very small, very pink, very photogenic piggy in the lead role helps to...

Paired with a mix of snapshots and cartoon art, a (real) piglet born without functional hind legs offers a sugary memoir retracing his climb to YouTube and TV celebrity.

He’s kitted out by veterinarian Dr. Len—“Dad, as I call him now”—with his rather ominous name and a small wheeled cart (“How awesome, I thought. ‘Oink-Oink,’ I said”). Chatty Chris recalls watching himself on the Web scooting about and then going on tour to demonstrate how, with “a little help—and a lot of grunting” and an upbeat attitude, anything is possible: “If you think positive, who knows what you can do?! Or in other words, Oinkity-Oink-Oink-Oink!” Minor animations aside, most of the movement in the illustrations is provided by automatic or swipe-activated pans. Along with a silent mode, auto-play and a self-record option for the narrative, every word in the text, oinks and all, can be revoiced with a tap. Likewise, touching any figure or detail in the illustrations, even the “wall” and “floor,” calls forth an aural label, as per Oceanhouse’s standard.

Smooth of presentation, if simple of message; the very small, very pink, very photogenic piggy in the lead role helps to compensate for his saccharine delivery. (photo album appended) (iPad storybook app. 5-8)

Pub Date: Dec. 3, 2013

ISBN: N/A

Page Count: -

Publisher: Oceanhouse Media

Review Posted Online: Jan. 3, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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