by Oge Mora ; illustrated by Oge Mora ‧ RELEASE DATE: Oct. 22, 2019
Special and splendid.
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Caldecott Honoree Mora (Thank You, Omu!, 2018) returns in this sophomore offering about a mother and daughter’s special Saturday.
Young protagonist Ava and her mother love their Saturdays together. Ava’s mother works, “Sunday, Monday, Tuesday, Wednesday, Thursday, and Friday,” so Saturday is their special day. The pairs’ smiles and Ava’s outflung hands convey excitement, while realistic details such as Ava’s mother’s sleep scarf add authenticity. In vignettes, Mora’s collage art chronicles some of their past adventures and shows them performing various actions in a circle of repeated figures (clearly intended to convey the passage of time), preparing for their day. Discerning readers may spy something left behind as they head out. Things start to go awry almost immediately, but Ava’s mother is full of reassurances, and they have a strategy for dealing with disappointment: pause, close their eyes, breathe deep, and move on. But after the biggest disappointment comes at the end of a daylong string of them, it’s Ava who brings comfort to her mother in a touching moment that may bring tears to readers’ eyes. Though not a preachy book, it offers lessons that are both beautiful and useful. Ava and her mother are black, with skin of different hues of browns, while other characters are an array of skin tones. How wonderful: a book with both racial diversity and class diversity that feels authentic.
Special and splendid. (Picture book. 4-9)Pub Date: Oct. 22, 2019
ISBN: 978-0-316-43127-9
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 19, 2019
Kirkus Reviews Issue: July 15, 2019
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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