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BIRTHDAY SUIT

So happy, it'll give readers and listeners the urge to visit (with or without their clothes).

  

Who needs swimming trunks? Johnny likes to run around naked, and so would you if you lived on a tropical island surrounded by the beautiful blue sea. But now that he's 4, mom insists on clothes at all times. She buys him red trunks for playing in the water. As soon as her back is turned, however, he's out of them and back to the titular birthday suit. He can "undo everything his mom uses to lock him in," from buttons to "the thingamajig that Johnny rips for that lovely tearing sound." But one awful day, mom comes home with a pair of denim overalls heavy with snaps. In a flash she fastens him in. Johnny starts squirming, letting out a wail that sends the tide out before its time and the fish all around turning somersaults. Soon mom is staring at a pair of empty overalls. It takes a man-to-man talk with dad for Johnny to realize that he really does want to be a big boy. He puts on his overalls and everybody claps. Now he has fun with clothes, zipping and tying and snapping (as well as unzipping, untying and unsnapping). Still, whenever he gets under the sea...  Fernandes' bright, busy paintings are a good match for the buoyant and ample text, which is full of phonic riffs that make the tale a terrific read-aloud. 

So happy, it'll give readers and listeners the urge to visit (with or without their clothes).    (Picture book. 3-5)

Pub Date: May 1, 2012

ISBN: 978-1-55451-368-0

Page Count: 32

Publisher: Annick Press

Review Posted Online: March 27, 2012

Kirkus Reviews Issue: April 15, 2012

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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