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THE BELT OF FIRE

From the Julie Black Belt series

Vague martial arts platitudes told but not really taught.

Chua’s energetic cartoon scenes of children in graceful martial arts poses fail to animate this ponderous tale of dissonance in kung fu class.

Rival yellow belts Julie and new student Brandon have thrown one another badly off their rhythms on the mat. Seeing this, their instructor, or Sifu, pairs them up and sends them outdoors for private lessons with his own teacher, Master Zhou—an elderly woman, in a very nice twist. In time, the two students become good partners, regain their mental balance and go on to ace their orange-belt tests. Rather than mention specific techniques, Chin intersperses hyperbolic lines such as “Brandon struck like a lion. Julie soared like an eagle.” Portentous statements include “Though sparks may fly, two blades can sharpen each other,” and “Kung fu means strengthening your own discipline and ability.” In a subplot capped by an anticlimactic, clumsily handled surprise, the author shoehorns in episodes from a parallel-themed martial arts movie for which Master Zhou apparently turns out to have been a technical adviser. Chua’s images of figures with wide, bright eyes—and in Julie’s case, a pink kitty hairpin—add plenty of visual syrup but not enough to make this palatable.

Vague martial arts platitudes told but not really taught. (Picture book. 7-9)

Pub Date: Oct. 1, 2013

ISBN: 978-1-59702-079-4

Page Count: 36

Publisher: Immedium

Review Posted Online: Aug. 20, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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