Tropical illustrations and cheerful music are at odds with the scary creatures and sound effects, making for a...
An undistinguished story with plodding text and clashing interactions tries to walk the line between humor and horror and doesn’t succeed very well at either.
The Summers family takes a ride on the boat Lollipop on their vacation, but the weather goes bad, and they wash up on a creepy island with an angry volcano monster at its center. They split up into two groups and encounter strange, fantastical creatures like a Quetzalcoatl (winged snake), a Zillard (fire-breathing lizard) and a Catoblepas (horned, armored beast). The castaways seem doomed until one of the kids trips, accidentally dislodging a tree that has been stuck in the mountain’s foot like a splinter. The volcano becomes happy, the clouds clear and a rainbow appears. “Quickly, Man and beast became pals. They played, picnicked, and paraded about.” The app includes a plethora of features. Tilting the device hints at an unimpressive 3-D effect. Occasional starbursts appear on the screen, and if they’re touched quickly, a Halloween jack-o’-lantern appears with a creepy laugh and trail of black smoke. The characters have their own sound effects and animations, which sometimes interfere with the ability to activate the jack-o’-lanterns. There is a map icon on each page, and periodically a message appears that the viewer has “unlocked” a piece of the map, although the map doesn’t appear to change when that happens.
Tropical illustrations and cheerful music are at odds with the scary creatures and sound effects, making for a less-than-cohesive experience. (iPad storybook app. 4-8)Pub Date: March 14, 2012
ISBN: N/A
Page Count: -
Publisher: Mobad Games
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
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