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THE CASTLE OF KINGS

Combine Princess Bride with Germanic history circa 1500, add a dash of Lord of the Rings, and there’s a week of good fun in...

As the early-16th-century Peasants’ War tears Palatinate Germany apart, Pötzsch (The Werewolf of Bamber, 2015, etc.) follows a young noblewoman’s epic quest, sparked by a signet ring once owned by the legendary Barbarossa—Frederick I, Holy Roman Emperor.

Agnes, preferring falconry to needlepoint, is the teenage daughter of Philipp von Erfenstein, Trifels Castle’s knight castellan. Her best friend is Mathis, son of Trifels’ blacksmith. Adventures begin when Agnes’ falcon, Parcival, returns from hunting, Barbarossa’s ring tied to his talons. Simultaneously, the countryside is beset by bandits led by Black Hans, a rogue knight. Since Mathis is fascinated with firearms and can work alchemy with gunpowder, von Erfenstein charges him with building a cannon to destroy Black Hans’ fortress. Pötzsch’s tale thereafter spins off in multiple directions. As Barbarossa’s ring sparks visions of past lives, Agnes is forced to marry a dastardly count, then she’s captured by camp-following white slavers and forced to loot battlefield corpses. Mathis is shanghaied into gunsmithing for peasant rebels led by a diabolical hunchback. After battles, imprisonment, and wounds, the pair reunites, learning that Barbarossa’s ring is linked to secrets hidden at a monastery. Central casting provides a wise old priest; a minstrel knight with surprisingly wicked sword skills; a merciless assassin dressed all in black; and dozens of distinctive bit players. The dialogue is offered in modern syntax, sometimes slipping into anachronisms, but Pötzsch paints picturesque landscapes, whether it’s damp, dark castles, the stink of a medieval tannery, or whirlpool-plagued Rhine River rapids, and offers esoteric information about arquebuses, falconets, landsknecht mercenaries, the Holy Lance, and a synopsis of the Hohenstaufen and Habsburg aristocracies.

Combine Princess Bride with Germanic history circa 1500, add a dash of Lord of the Rings, and there’s a week of good fun in this 600-page-plus tome.

Pub Date: July 19, 2016

ISBN: 978-0-544-31951-6

Page Count: 672

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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