L-DOPA has been hailed by researchers as a "miracle drug," a "cure" for schizophrenia. Sacks provides 20 case histories of patients to whom the drug was administered, most of them victims of the "sleeping sickness" epidemic of the 1920's, further complicated by Parkinsonian symptoms: that is, their volition was undermined, they had difficulty in starting and stopping movements (though the problem was not muscular). The fact that they remained thinking, feeling beings placed them in a sort of "ontological death": conscious, yet not fully awake. The results of L-DOPA were inconsistent and unpredictable. It produced an "awakening," but one which was almost universally followed by "tribulation," some instances of which led back to the pre-DOPA state, others to even further fragmentation of personality. One patient called the drug, "hell-DOPA"; another said, "If you ask whether L-DOPA is good or bad for me, I'd say it was both. It has wonderful effects, but there is a hell of a 'but' . . ." Some effected a final "accommodation," a new level of being far richer than the pre-DOPA level. Sacks argues that "altering. . . chemical circumstances may be a prerequisite to any other alteration; but that it is not, in itself, enough." A drug cannot fulfill psychological needs, and it may intensify those needs when they are not otherwise met. In the eerie shadow-world where mind and body meet, Sacks remains extraordinarily compassionate and perceptive. A sagacious, discerning book.
Pub Date: July 12, 1974
ISBN: 0375704051
Page Count: 466
Publisher: N/A
Review Posted Online: Jan. 4, 2013
Kirkus Reviews Issue: July 1, 1974
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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