by Olivia A. Cole ‧ RELEASE DATE: March 31, 2014
Solid character development strengthens a familiar plot.
Awards & Accolades
Our Verdict
GET IT
In a future Chicago, when bionic chips have turned some humans into zombielike creatures, a young woman fights her way to possible sanctuary.
Some 70 years from now, widening social inequality has divided those living in the States (what’s left of America after California secedes) between those who qualify for MINK health coverage and those who don’t—such as Tasha Lockett, college dropout and salesgirl for a high-end mall’s designer pet store. Without MINK, she can’t get a Chip, the tiny neck-implanted device that prevents and cures all ailments. But then comes the Change: One morning, everyone with a chip is suddenly transformed into a swaying, grunting, zombielike eater of human flesh. The Minkers, as Tasha calls them, are easy enough to kill—she dispatches her doorman with a nail file—but they’re everywhere. A scribbled note from Tasha’s sister in California, postmarked two weeks before the Change, reads “Get to South Side ASAP….Dr. Rio can help. Find him. Come to LA.” Armed with a kitchen knife and toting her Prada backpack, Tasha makes a dangerous journey through Minker-haunted Chicago. When she learns Rio’s full plans, she realizes the battle is only just beginning. In the crowded field of dystopian/post-apocalyptic/zombie fiction, Cole doesn’t add much that’s new besides an interesting social-justice angle: Unusually for the genre, Tasha is of mixed race; Minkers tend to be white. Cole impressively plots Tasha’s growth: At first, she’s obsessed with fashion and style—at one point, she leaves a potential ally unprotected so she can do her makeup—but as life-and-death situations force her to reconsider priorities, Tasha can no longer answer a question such as “What’s so special about Prada?” except to conclude that “it was something to love, I guess.” Cole makes excellent use of her Chicago setting, and she brings out the spookiness of her premise with haunting images of ordinary people gone mindlessly bad. Despite a lot of action, though, the book moves somewhat slowly while leaving many questions unanswered, no doubt due to a planned sequel.
Solid character development strengthens a familiar plot.Pub Date: March 31, 2014
ISBN: 978-0991615506
Page Count: 472
Publisher: Westbow Press
Review Posted Online: June 5, 2014
Kirkus Reviews Issue: July 1, 2014
Review Program: Kirkus Indie
Share your opinion of this book
More by Olivia A. Cole
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Share your opinion of this book
More by Harper Lee
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
Share your opinion of this book
More by Paulo Coelho
BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
More About This Book
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.