Intellectually vigorous and emotionally stirring.
Investigating the body and its consequences.
Growing up in a lesbian household in the stridently homophobic Britain of the 1980s, novelist and cultural critic Laing, winner of the Windham-Campbell Prize, felt she was “not a girl at all, but something in between and as yet unnamed.” The sharp dissonance “between how I experienced myself and how I was assumed to be,” she writes, was like a “noose around my neck.” Reflecting on her fraught sense of embodiment, Laing creates a penetrating examination of the political and cultural meanings ascribed to bodies as well as the relationships of bodies to power and freedom. The body, writes the author, was central to cultural protests—gay rights, feminism, and civil rights—that essentially were struggles “to be free of oppression based on the kind of body you inhabited.” The controversial Austrian physician and psychoanalyst Wilhelm Reich serves as gadfly and guide as Laing thinks about the forces that shape and limit bodily freedom. In the early 1930s, Reich coined the term sexual revolution in order “to describe the universe of happiness and love that would arise once people had shaken off their shackles” of sexual repression, and he claimed to have discovered orgone, “the universal energy that animates all life.” With Reich as a touchstone, Laing investigates many artists and writers with particularly vexed connections to their bodies: Susan Sontag in her ferocious response to cancer; radical feminist Andrea Dworkin; Agnes Martin, who, like Reich, “wanted to connect people to a kind of universal love” but became undermined by paranoia; Ana Mendieta, whose art violently depicted rape; Allen Ginsberg; Malcolm X; and Nina Simone, whose music enacted a “cathartic passage through fury, mourning, horror, hurt, despair, and out again to joy.” Laing reveals in visceral detail society’s terror “of different kinds of bodies mixing too freely” and envisions a future in which that terror no longer exists.
Intellectually vigorous and emotionally stirring.Pub Date: May 4, 2021
ISBN: 978-0-393-60877-9
Page Count: 368
Publisher: Norton
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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